Priti Pandurangan

Hello there, I’m Priti — an Information Experience Designer currently based in London, UK. My practice seeks to understand heritage and culture through evocative, data-enriched interpretations.

I work across data visualisation, design research, and academia, with over six years of experience building data-driven products, tools, and experiences.

I'm drawn to alternative ways of working with data — approaches that hold space for ambiguity, lived experience, and emotion. I care about what slips through the cracks: the things that don't fit neatly in spreadsheets but still shape how we understand the world. My work asks what counts as data and how we might honor what's messy, intangible and hard to measure.

I teach at the University of the Arts London, where I make room for such inquiry, experimentation, and reflection in design. I also facilitate data walking and mapping workshops in cities around the world — using walking as a research method to observe, gather, and build knowledge that's rooted in place rather than abstracted from it.

Before moving to London, I worked as an Information Design researcher with Gramener’s Storylabs team in Bangalore. There, I focused on developing tools & techniques for data visualisation and storytelling. I’m proud of the work we accomplished as a small team: we created data comics, incorporated narrative techniques into data visualisations, experimented with data art and other forms that made data feel more tangible, personal and encouraged discourse around critical topics.

In my spare moments, I like going on data walks, making generative art, tinkering around with electronics or making oddly-shaped books though my shelves have long since run out of space.

Outside of work, I follow my feet wherever they want to go. Maybe it's the dancer in me, but I love going on long hikes, especially coastal ones. I’m usually collecting small scraps of printed matter or hunting for ephemera. I also love train rides through the English countryside, usually with my nose pressed to the window.

Talks & Showcase

2024

2023

  • Atlas of Intangibles / London Data Visualisation meet-up
  • Joyful Data / Future of Coding, London
  • Guest speaker / London College of Communication
  • Subjective Objects / London College of Communication

2022

  • Data art & storytelling / Gramener

2021

  • Asking a Shadow to Dance / ACM SIGGRAPH SPARKS Conference
  • Joyful Data / Creative Coding Santé
  • Asking a Shadow to Dance / Typography Day Conference

2020

  • Guest speaker / Srishti Institute of Art, Design & Technology
  • Asking a Shadow to Dance / Co-Po-Jam, dra.ft festival
  • Ink on Paper / Processing Community Day

2019

  • Let’s Put a Pin on It / Data Room / Agami Summit
  • Guest speaker / National Institute of Design, Bangalore
  • Come, Let’s Take a (Data) Selfie / UX India
  • Asking a Shadow to Dance / Srishti Institute of Art, Design & Technology
  • Asking a Shadow to Dance / Bangalore International Center

Teaching & Workshops

2024

  • Data Visualisation / University of the Arts London
  • Creative Coding & Generative Art / Rochester Institute of Technology
  • Observe, Collect, Map / DataFest Tbilisi
  • Observe, Collect, Map / Fourth World Congress of Psychogeography, Canterbury
  • Atlas of Intangibles / London Data Week
  • Data Me, Data You / Co-delivered with Henrietta Ross / Science Museum, London
  • Data Visualisation / Co-delivered with Henrietta Ross / London College of Communication

2023

  • Data Ethics & Data Advocacy / Co-delivered with Henrietta Ross & Carla Fernández Arce / Information Plus conference, Edinburgh

2022

  • Explorable Narratives / Gramener

2020

  • Making the Thing that Makes the Thing / p5.js teach
  • Making the Thing that Makes the Thing / Processing Community Day, India
  • Data comics workshop / Co-organised with Storylabs / Indian School of Business, Hyderabad

2019

  • Data comics workshop / Co-organised with Storylabs / Grofers, Bangalore

Appreciation

2024

2023

2021

  • Archived in Volume 4 of the Electronic Literature Collection

2020

  • Featured in Issue II of the Blackslash Lit Magazine